Beeer is not a determination; It is a form of completely natural existence, to this day, no one is considered. It is supposed to be the campus of universities somewhere you can be yourself, without fear of judgment. However, even in 2025, it is difficult for some to get out of the cabinet and rebellion against matching. In “Fallaway” in Kabir McNely, the identity of two total students is attached to balance while trying to move in their sense of anger in restricted, repressive and traditional values of society who find themselves part of it.
The star of the movie Christian Points in the role of Kaden, a gay, the close sex that has recently moved to the campus residence with a room colleague. The mobility in university life is not an easy task, and since Coden is still very confused about his identity as a gay man, he finds himself isolated from anyone else. That is, until the attractive student invites him to the Bible group within the campus, which agrees to be part of it, so that he finds a form of society that he can hold.
There he meets with Giovanni (which was played by director Kabi McNley himself). The two are an immediate connection – although they do not have vocabulary or strength to understand or accept what they are. However, it is okay for the two to be in this way – confused, floating, and hanging with each other. Mutual love is not welcomed by the strict Bible collection. Before the two can explore it even to the next step, the group begins to enter their own issues.
MCNEELY uses the contradictions between rebellion and compatibility with being strange to explore how difficult their identities are – especially if they are raised in a family with retrospective Christian values. MCNEELY does not take the knowledge of religion, though. His view remains very firm on the fragility of modern masculinity. In some respects, his criticism of traditional values is transformed, in fact, towards worshipers Andrew Tate who believe that Manusvir is the only right place in the world where they need to exist.
In an advantage for the first time, McNely shows a great promise as an actor and a film maker, although total production revolves around the edges and away from perfection. You can feel contradictions in continuity or hasty audio design that may have a lack of budget. In addition, I personally feel that the short running time (the film works for 51 minutes fast) actually hurts more than it works. The ultimate action of the comprehensive feature of the comprehensive feature makes the feeling of compulsion, although the foundation lay.
The characters can also have done with a little polishing. Christian Points is a good actor, and his smile is unforgettable, but the forms of his personality remain a little away from the scenes to really capture it. Although the narration, which relies on a McNelyy conversation with a gay man now considers himself immediately after writing prayer magazines, feels truly, and puts it within the limits of the campus that hosts the Bible collection that is still working without censorship at all.
However, “Fallaway” is a look that sometimes affects a strange experience stuck between rebellion and matching. It is a brave effort by the first manager, Kabir McNelli, who shows more things in front of him.
