It was directed by Constantine Parascifolos, who plays the role of Jerry Clojman, and written by Adam Rifkin, who plays the role of Henry Hartmann, “BFFS” (also known as Best Friends Forever) similar to the modernization of companies to nostalgia to young people. The director and writer, who is still having a shelter for their voices close to their hearts, is trying to direct their headache to the comedy of friends who tickle your funny bone while also helping you to remember at a time when everything is around each other. While the duo is sometimes capable of matching its chaotic rhythm, the film ultimately turns into a loud and hunger crowning of the advanced and immediate joke that appears to be an attack on the senses.
Given that the team will find that the criticism is courtesy, let’s shatter what it succeeds and what does not work. The story follows Henry Hartmann-Middle Working Man as a Human Resources Representative in Phoenix managed by Mr. Kojan (Terins Howard). His function requires a sound routine from shooting people and returning to his pregnant wife as Jennifer Morrison. An irreplaceable life like a routine, sorry, needs something to wake up.
Jerry Klugman-an ancient, irregular and magical friend of Henry College, enters, despite working in Internal Security, somehow managed to keep the boy in his life alive. The revival of ancient friendship is the vigilance invitation that Hartmann needs, and while friends return to their old routine of playing detailed displacements on each other, Harman slowly begins to restore Mujo.
For beginners, it begins to smile more and somehow returns to an attempt to be a novelist – something that he left behind in order to be good in doing SHINDIG properly. However, the carnival in his life also brings few groups of contradictions. Anita Jude Bonin (Anita Brem), a jirry fiancé who works as naked and is obsessed with low fat in the body, develops to Henry. It begins to send thirst traps, thirst to the man while Jerry’s joke begins to become larger, bolder and more personal.
As Henry’s life comes out in Iram, the most coincidence problems remain their way to his problems. “BFS”, at this stage, it becomes a group of moving parts that include a descriptive work called Gabe Barr (Amaury Nolasco), a security installation called Guy (Nick Stahl), two PEHONIX officers called Taye Diggs and Michael Bacall and always hiring the category of playing on anything He runs from anything he runs from anything he runs. circumference.
Besides deliberate humor, the near sequence creates a sense of energy with greatness that works to oppose what it aims. The scenes are cut urgently so that nothing of jokes, jokes and narrative land. Some pranks feel a nice, nice call to Jagas, but since the director of Constantine Paraskivulus is very busy with the stadium of his story with unnecessary plot threads, none of them record.
Thus, the only recovery factor falls on the shoulders of the actor, but until he is given a few materials to work with them, it fails in every perceived land. Venerable actors such as Terrance Howard are trapped in an illogical character that someone else could play, and will not change anything. Jennifer Morrison, who plays the role of Henry’s pregnant wife, should be a single criminal personality, as the narration is mixed in the middle of the road without any explanation.
In general, “BFFS” is something that may only satisfy you if you have a long long friend, re -insert your life in one way or another to the best or for the worst. Constantine Paraszivopolos and Adam Revkin have this best energy friend that could help upload this movie, but like the story that Henry begins but never complements, the movie looks like a large group of noise without anything. The result is a movie that seems to be a Sensory excess, not much.
